Thursday 9 March 2017

How I Celebrated International Women's Day: a Day of Body Positivity

 International Women's Day is by and large my favourite international day of all. Screw Christmas, New Year's, even Halloween, IWD is my favourite day of the year. I have thankfully, as of yet, not heard a single "what about International Men's Day?" or "Women are equal now, we don't need it anymore" this year (follow the link for more info on this shocking injustice). I firmly believe that anybody who tries to make these arguments should be fired. Not from their jobs but from a canon. In the wake of my last post about the folk trying to cause a shitstorm that never happened over Emma Watson's supposedly scandalous topless photoshoot, I've been thinking about ways in which I celebrate my own body. It's not exactly a secret that my body and I have a rocky relationship at best. I berate it, pump it full of chemicals, push it to the extremes without nourishing it properly; and it rewards me by getting ill and breaking down at the worst possible times. Sort of a mutually assured destruction thing.

 But I'm slowly learning to treat myself better and focus more on my body's accomplishments than the perceived shortcomings. And one way I've been doing this? A wonderful way, which has given me so much confidence, and enabled me to do things I never thought myself capable of doing...?

 I'm talking about Burlesque of course!! Now let me tell you the story of a wonderful lady called Pandora Foxx... (also, be prepared for some weird third person shit).


 Pandora wasn't always her name, for a while she used to go by Millie. Before that she never had a name, she was biding her time, waiting for her time to shine. Her alter ego, Lizi, had always been quite shy and for a long time wouldn't say boo to a goose. For any of you who know Lizi this must be hard to imagine; the Lizi you know now is gobby, seems self-assured, and will happily kick the arse of any man who dares to catcall her. But until she became political, started speaking in front of people and organising marches she wouldn't say anything. Maybe it was all about having something to say, who knows?

 Five years ago, Lizi's Mam took her to a birthday party for the wonderful Freelance Dance studio where she had been taking bellydance classes. Surrounded by cupcakes, lovely ladies, and watching some wonderful performances, it was a great night. One of those performances happened to be a pole dance demonstration. She was transfixed. The longstanding stereotype of pole dancing was one of sleazy men throwing money at women grinding on poles. Not anymore. Seeing such a confident and capable woman, demonstrating her strength and grace to an awesome Def Leppard soundtrack had Lizi captivated. She wanted to be such a confident and capable woman. And so she did.

 Admittedly, being only 17 at the time, she needed a letter of permission from her Mammy so she could take part in classes. Had she been two years or more younger, you can imagine the sensation the likes of the Daily HateMail would have made out of a "woman writes permission letter for daughter to learn stripping" type story. But that's so far from the truth. While it did make her feel incredibly confident and sexy, learning pole under the keen eye of the amazing Ellouise Hempstead gave her such a boost in self-confidence. Not in a "oh, I look so sexy" sort of way, but "I have friction burn on my wrists, my shoulders hurt, and I'm sweating like a bitch and need sugar... What a Goddess I am!!" way.


 It was during this time of learning pole classes where Lizi met Kristi.

 Ellouise ran a drop-in pole class on Sundays for women of all levels of pole ability, an hour dedicated to refining our techniques, strengthening our moves, and generally having a fantastic time. During her time at college Lizi would live for these Sunday pole sessions, something to break up the week-to-week stress, where she could chat with funny, confident, and outgoing women in a wonderful space where they could refine their skills. During one of these sessions Lizi met a wonderful woman by the name of Kristi. With piercings; tattoos; flowing, gorgeous red hair; and a cheeky smile that could bring anybody to their knees. She and Ellouise had chatted a little about burlesque during the class and Lizi, being the curious bear she is, couldn't help but overhear that Kristi was running classes. As they were sharing a pole during the lesson Lizi tried to make some small talk about burlesque but couldn't quite muster the courage to make a coherent with such an awe-inspiring woman. Weeks later, when she saw in the Freelance Dance Facebook group that Kristi was running burlesque 101 classes, Lizi jumped at the chance!! And hasn't looked back since.

 After thirteen shows, several solo routines, and thousands of laughs since... She couldn't be happier. And during this time the wonderful persona that we know as Pandora was born. With Lizi having a passion for Greek mythology, and a whole host of crappy mental health, Lizi couldn't think of a better name: something to describe the depth of her psychosis, how far it spirals down and how closely this affliction is guarded, leading to the whole "Pandora's Box" allegory. As for the Foxx... It rhymes with Box and she is one Foxxy lady!

 Pandora's onstage antics have given Lizi an unrivaled amount of confidence. Being eased from doing a bra peel (taking off your bra) in a dance studio with four other women as part of a dance course, to eventually having the nerve to take off that bra on a stage, in front of strangers, to a song you have chosen... It's really fucking scary!! Given the fact that during her first solo routine, Pandora (known as Millie at the time) realised that the belt that was part of her costume had gotten stuck on the chair she was using in her routine. In the first 30 seconds of the compare's introduction she would have been more than happy to run off stage, with that chair attached to her by the belt like some sort of weird metal tortoise shell. But if Kristi had taught her anything about burlesque, and in fact life, it was this:

 "If you don't feel like a tit when you're doing it, then you're not doing it right."



Back to first person here, I honestly don't know if I'd be the plucky and strong woman that I am without Kristi's teaching, Ellouise's discipline, or the strength of the many incredible women I've shared a stage within the past four years. Honestly, every woman I've met through burlesque have given me something inspirational to add to my life: body positivity (Whatsername the Rocket Queen), being brave in the face of trauma (Bunny Boudoir), if you aren't enjoying yourself then what's the point? (Felicia Flutterby), and take care of yourself and go at your own pace (Hannah Hendrix).

 It's a very powerful feeling, just standing in front of a mirror after coming off stage and knowing that you've done something incredible. Something that's gotten a crowd to cheer and yearn for more. On days when you wake up and feel like (for lack of a better word) utter, utter shite. Those days when you don't want to get out of bed. The days you don't want to take your meds. The days you don't want to see *people* or have anything to do with another human being. The days that all you want to do is lie in bed, watch a crappy film, and drink wine. These days can be both crappy and beautiful at the same time. Or even if you don't have the strength to reach for the laptop and a DVD, or your phone to call a friend, you're still surviving.

 IWD has become somewhat bittersweet for me. The past three years I have went to my friend's memorial tree, sat there and written her a letter, leaving it in a little hole at the base of the tree. This year I couldn't manage a visit and while I was so determined to hate myself for failing to keep our appointment I knew for a fact that it's something she would totally understand. She wouldn't have held it against it that I spent the time that I would have spent visiting her in my bed, crying my eyes out, wondering why I can't get my shit together. It was something she was very familiar with. And I know that she knows I spent the day thinking of her, gazing at my tattoo and wishing she were still here. Anyway, I digress...

 These are just some of the innumerable women who have inspired me and given me strength, I honestly don't know who I would be without The Blue Belles and House of Trixie Blue. They've given me so much and my life wouldn't be the same without them. I know that that's a phrase that gets thrown about a lot but these women are often the difference between me spending a day not leaving the house, or one leaving and coming home in a better mood than I could imagine. So I want to use March 9th as an International Women's Day "Boxing Day" where I spend the time thinking of all the women that made me the person I am today. And I can't love you all enough.

Strength and Solidarity, Sisters <3

Thursday 2 March 2017

Emma Watson Topless Picture Scandal!?! ...Calm the Fuck Down

 So I read on the Independent today that people are kicking off about Emma Watson's allegedly topless pictures in Vanity Fair. Apparently this is sparking feminist debate. Surely as a Harry Potter fan and a feminist I should be drawing up an angry placard and protesting outside of her house about now, right!? But really... What's the big deal? Let me break this down:

 Firstly, countless female celebrities have posed topless for some publication or another, and when has the media ever prompted us as feminists to take up our pitchforks (or broomsticks, your choice)  to go and be annoyed at them? None that I can recall. 

 It is precisely the tabloid type newspapers now that are telling us we should be angry at Watson - read: The S*n and the Daily HateMail - that when she was still a teenage posted news stories about alleged topless pictures that turned out to be photoshopped. I really hope that they can see their own hypocrisy in this. Then again, right-wing tabloids admitting they're wrong... I don't think they have a font size small enough for that yet. The Scum for example ran a piece many years ago which was a countdown to her 16th birthday and therefore legal, so their editorial team could perv over her in print without public outcry. At the same time however, it is the same publications which are crying "child star turned harlot!!". So... In other words you're quite happy to sexualise her as a child, but when it comes to her trying to express her sexuality as an adult woman you're outraged? Am I right? Yeah... Just a little fucked up. 

 Secondly it's that whole rhetoric that because she was a child star for one generation she should therefore find one thing and stick to it, for news purposes. In this case she has chosen to be a feminist, so she can't appear in any sort of 'sexual' way in the media. Who are they to say that the two are mutually exclusive? Hell, I'm a fierce-as-fuck-feminist who does burlesque on a weekly basis (a post on this is to come!), and who is the Daily Fail to say I can't shake my tits on stage and still be a feminist? While they were so excited for the countdown for her to be legal, they are the same ones now chastising her for being "too adult". Sooo... They were happy to sexualise her when she was a child, but are outraged and try to infantilise her as an adult? I'm not the only one who thinks that's a little fucked up, am I?

 And finally, yes, out of curiosity I looked up the pictures. What can I say? BUT! If you look at the rest of the photos from the shoot then you'll realise that it's a transitional piece; mimicking basically what I said above: her transition from child star to leading woman. A child to a woman. Celebrating it not in the way that scummy tabloids chose to but in her own way, using her body as a canvas in the process. Plus! Once again in that photo shoot I spotted a topless man twice! Where is the outrage over this dude who was probably a kid once, posing for a picture without a vest on? Disgraceful!! If MRAs want something to complain about then here it is: why is nobody protesting about that poor man being photographed topless, the objectification of men, showing more nipple, won't somebody think of the children!? 

 Yes, this is exactly how the tabloids complaining about these pictures sound to me, and hopefully you. So to sum up: nice tits, Granger, you look lush*; and please find another scapegoat tabloids. Maybe research into everybody who has ever voiced a role in a Disney film to see what they have ever done to maybe corrupt the kiddies.



*I hope all of you will realise that I mean this in an entirely Geordie and friendships of women way mean. I do not mean 'nice tits' in an objectifying way, bit in a "lady, I love you so much and you look like a Goddess" way. As she played the role of somebody so significant to my formative years I feel a rather close bond with Emma, and like to think that in some way - as a fellow badass woman she may be some sort of friend**.


** Yes, yes, okay; I sound like a creepy stalker. What I mean is that I didn't have many friends as child so I made friends with my books. Happy now!? Jeez, you guys are dickeads.